Knowing zilch on the grammar of Hindustani Classical music doesn't help when it comes to understanding the finer points, but so many of the Raga based songs that I discover are some of my all time favorites amongst the popular songs, and linking them to the raga, definitely helps, well atleast for me..
The details just for the more musically learned/inclined, even though there are dozens of epages on the subject.
Thaat ( Major Classification) : Marwa
Time of the Day : Dawn
Aaroha ( Ascending Scale) : S-r-S,S-m,P-G,M-D-S'
Avaroha (Descending scale) : S'-r'-N-D-P,D-P-m,P-G-r-S
Pakad (Generally accepted phrase) : S-D,m-P-G,P-G-r-S
Here is my R&D on the raaga ( Limiting to only the songs Ive heard before)..
Starting with one which any Doordarshan old timer would know.. The Rashtirya Saksharta ( National Literacy) Mission's "Purab Se Surya Uga" rendering of Kavita Krishnamurthy.. I think the raga fits fantastically to the cause and even to its video theme. It has both shades of the early morning freshness, the lively chirping and excitement for the day/future ahead, as well as undercurrent pining for something or the melancholic acknowledgment of some event that has gone by or is yet impending..
Purab Se Surya Uga
Here is Manna Dey's "Eki Apurba Prem" , one of my top favorites of MD songs.. q
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The last is the correct ( classical) representation of the raga by Kankana Banerjee ( which I found on the net)
Bhatiyar by Kankana Banerjee
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